Uncle Vanya
By Anton Chekov
Translation by Zhenya Lavy
Directed by Kathryn Philbrook
A play in Four Acts
There will be one 10 minute intermission
Act I-In the Garden
Act II-The Dining Room, Night
Intermission
Act III-The Drawing Room
Act IV-Evening
Cast:
Alexandr Serebryakov ........................Joseph Grant
Yelena Andreevna ................... Helen Marion-Rowe
Sonya Alexandrovna .................... Sophie Bustetter
Maria Vasilevna Voynitskaya ..........Marilyn Bennett
Ivan Petrovich Voynistky (Vanya) ...Luke Amundson
Mikhail Lvovich Astrov ............................Jacob Tice
Ilya Ilich Telegin .....................................Tim Takechi
Marina Timofeevna .......................Amanda Stevens
Director’s Notes:
Let’s be real. I, as a director, was particularly drawn to this text, because it depicts a society on the edge of collapse, and I don’t know about you, but I sure feel that resonating with me today.
“Uncle Vanya” was published in 1897, just twenty years before the abdication of Tsar Nicholas and the beginning of the Russian Revolution. For the characters in this story, mostly privileged members of the landed class, that total upheaval is still far in the future, but you can already see their social fabric crumbling. Chekov pokes a fair amount of fun at them, in their “arrested development”, full of stifled ambition and promise, but lacking the grit to move forward and DO something about their pervasive ennui.
At the same time, he invites us to see them with compassion, to feel for their heartbreak, to recognize their disappointment with life and with themselves. Many of the forces stifling them are outside of their control. Yelena was raised to be educated and went to a prominent musical conservatory to study, but ultimately finds herself trapped as the wife of a dying (possibly?) scholar. Maria Vasileevna spends her time reading and supporting women’s emancipation, but is listened to by no one. Had Vanya not gone to work for his sister and brother-in-law’s estate, there would have been no inheritance left to sustain his scholarly ambitions, and the estate that remains, frankly, can barely support the family as it is. Everyone, it seems, is finding themselves squeezed into accepting a smaller piece of the pie.
“Vanya” gives us no solutions. There is nothing tidy to wrap hope for the future into. We are left only with love for these silly, complicated, needy people, and the charge to do something. To go to work.
- Kathryn Grace Philbrook
Cast & Crew
Acknowledgements
Many Thanks to Mark and Gail Thomason for lending us their weapons!
Many Thanks to our Sponsors and Donors!
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Advocates
Robin & Jane Rueger








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